Two hundred and fifty years in the future, life as we know it is threatened by the arrival of Evil. Only the Fifth Element can stop the Evil from extinguishing life, as it tries to do every five thousand years. She is assisted by a former elite commando turned cab driver, Korben Dallas, who is, in turn, helped by Prince/Arsenio clone, Ruby Rhod. Unfortunately, Evil is being assisted by Mr. Zorg, who seeks to profit from the chaos that Evil will bring, and his alien mercenaries.
There are cycles in the Universe when great evil threatens all life in the Universe. The Ultimate weapon against evil, devised long ago, is called "The Fifth Element", stored on Earth for safekeeping. When a Professor discovered it in the 1910's, he found it very astonishing. However, a group of beings known as the Monascheiwans came to Earth to take the fifth element to utilize it for their own well-being, promising to return it in time for the next cycle. In the distant future of the 2200's, the Earth is a very different place, yet much the same… People smoke, break laws, make messes. In the megalopolis of New York, a former elite commando named Korban Dallas is now a taxi driver. As the Monascheiwans were returning the Fifth Element to Earth to fend of the rising evil, they are destroyed by a ruthless race of beings known as Mangalores. Discovered in the remains of the Monascheiwans' ship, is a remnant of the Fifth Element, from which they re-create "the perfect being", The Fifth Element, named "Leeloo", who drops in on Korban Dallas in his cab… literally. Dallas keeps her free from government control and brings her to a priest named Vito Cornillius, who, seeing the coming Evil in the prophecies, is attempting to find the Elemental Stones needed to power the Fifth Element. He is getting in the way of a ruthless businessman named Zorg, who is already operating under the sway of Evil.
Okay there are some real faults with this film, like its tendency to go a little too far into silliness, which becomes a problem when the film wants to then be serious, but all in all its good points out weigh its bad.<br/><br/>A couple good points: This movie is visually stunning, a fresh view in sci-fi. A welcomed change from the dark trashiness that has been watered down and done to death.<br/><br/>The story is a pretty original. The editing is particularly good. Pay attention to the ends of scenes, because what ever was talked about in the end of a scene is exactly what the next scene is. The impact this has on the energy of the film is easy to overlook and disregard as obvious.<br/><br/>The effects are of course good. They should be considering how many effects houses worked on it and how much this film cost.<br/><br/>The acting is good. Bruce Willis is of course Bruce Willis. Gary Oldman is as usual a pleasure to watch. That little piece of plastic on his head is annoying though. I suppose it was put there to make him look silly. However he already looked kinda weird without his patented evil man goatee.<br/><br/>I would say the worst part and completely unnecessary and out of place part of this film is Chris Rock&#39;s character. Oh was he annoying. He runs toe to toe with Jar Jar Binks as worst character to almost ruin a movie.<br/><br/>I don&#39;t know why Luc Besson put him in there. Maybe to poke fun at Americans. All it does is once that overt reference is gone (about five seconds after appears) is leave us with an annoying and overbearing character you just wish would die in a crossfire.<br/><br/>Take him away and some other out of place cheesiness (like that stupid creature in Gary Oldman&#39;s desk) and you have a perfect movie.<br/><br/>So if you want a near perfect sci-fi/action/comedy movie and can handle these sometimes annoying imperfections rent or buy this.<br/><br/>Not exactly thinking man&#39;s sci-fi, but neither were most of the Star Wars movies.<br/><br/>I would equate this with Episode I. Only this was better because it didn&#39;t have all that extra baggage.
This is an incredibly good movie. Even as sci-fi, the premise is lame, the plot totally implausible, but the film construction flat-out incredible. This is a movie for teaching movie-makers. So tight, it takes a few viewings to really see how tightly woven it is. Not just the film cuts, but the sound, the dialogue. All tightly interwoven. A LOT of effort from the backstage went into this movie. The jump cuts are from sound to image to voice. It may not be art, but the artistic mechanics kick butt. For any technician, this is a must see.
The action is fast, furious, and as wacky as science fantasy gets.
The film, for me, was something far more intimate, centered on this fifth element, which represents life, love and art. A sort of model, a reflection or mirror, a way of exploring how to live better with others and with oneself. In peace. Luc Besson, in The Adventure and Discovery of a Film: The Story of The Fifth Element The Fifth Element Enhanced Story Presentation includes screenshots in sync with the story and other film info.
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